Released sometime in the late twentieth century
The only known output of the mysterious Universal, Friestl is an album incubated in a test tube of prosumer synth tech, but with the lofty goal of re-evaluating the history of popular music. It's a baroque, death-shadowed album that creates sonic concepts and textures by borrowing elements from tunes as diverse and ubiquitous as Pink Floyd’s The Wall and Yello's "Oh Yeah" and reflecting them through its own tortured psyche. The result is a kind of commercial pun, a dialectic between silence and weight.
A1. Elgalor
A2. Augen Müssen Brennen
A3. Das Hawkline Monster
A4. Die Sphinx Von Taharka
A5. Nova Express
A6. West Of Rome
B1. La Grande Dozza
B2. Ivory Black
B3. Le Tournevis
B4. The Prayer
B5. Gruss Für Dieter
B6. Trazom
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